Consenso, consumo, conquista. Las transnacionales del cine

Authors

  • Paul Little

DOI:

https://doi.org/10.16921/chasqui.v0i22.854

Abstract

La Misión, El Color Púrpura, Pelotón ¿son solo filmes conmovedores e inocentes? ¿No esconderán tras la magia de su narrativa una ideología de conquista?

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Published

20-04-1987

Issue

No. 22 (1987): Cultura y medios: un difícil matrimonio

Section

Tema Central

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