Memories of dislocation in the brazilian documentary: testimony and landscape in Aboio by Marília Rocha
DOI:
https://doi.org/10.16921/chasqui.v0i137.2753Keywords:
documentary, memory, testimony, landscapeAbstract
This paper aims at discussing the composition of a memory of displacement in contemporary Brazilian documentary. For this, Aboio (Marilia Rocha, 2005) will be the object of analysis that focus on the sound aspects (speech and singing) and image (landscape) taken here as spaces where is this memory. The question, however, is not limited to identifying how sound and image may present as spaces of memories, but also identify their respective raw materials. Our hypothesis is that the foundation of shifting memory in this documentary is the relationship between tradition and work - tradition is evident in the testimonies and work that fills the landscape.References
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Taylor, D. (2013). O arquivo e o repertório: performance e memória cultural nas Américas. Belo Horizonte: Editora UFMG.
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Arnheim, R. (1980). Arte e percepção visual: uma psicologia da visão criadora. São Paulo: Pioneira, Edusp.
Aumont, J. (2004). O olho interminável [cinema e pintura]. São Paulo: Cosac Naify.
Aumont, J. & Marie, M. (2010). A análise do filme. 2. ed. Lisboa: Texto e Grafia.
Bakhtin, M. (2005). Problemas da poética de Dostoiévski. 3. ed. São Paulo: Forense Universitária.
Bernardet, J. C. (2003). Cineastas e imagens do povo. São Paulo: Companhia das Letras.
Certeau, M. (2008). A invenção do cotidiano. 1. Artes do fazer. 14. ed. Petrópolis: Vozes.
Elsaesser, T (2009). Real location, fantasy space, performative place: double occupancy and mutual interference in european cinema. En: Trifonova, T. (ed.). European film theory (p. 47-61). Routledge: Londres/ Nova York.
Halbwachs, M. (2004). La memoria colectiva. Zaragoza: Prensas Universitarias de Zaragoza.
Lefebvre, M. (2006). Between setting and landscape in the cinema. En: Lefebvre, M. (ed.). Landscape and film (p. 19-59). Routledge: Londres/ Nova York.
Lopes, D. (2007). A delicadeza: estética, experiência e paisagem. Brasília: Editora UnB.
Río, E. (2012). Deleuze and cinema of performance. Edinburgh: Edinburgh University Press.
Schechner, R. (2013). Performance studies: an introduction. 3. ed. Londres/Nova York: Routledge.
Spence, L. & Navarro, V. (2011). Crafting Truth: documentary form and meaning. Nova Jersey: Rutgers University Press.
Taylor, D. (2013). O arquivo e o repertório: performance e memória cultural nas Américas. Belo Horizonte: Editora UFMG.
Williams, R. (2000). Cultura. 2. ed. Rio de Janeiro: Paz e Terra.
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31-08-2018
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